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I picture this timing likely established during the Palladium era but I have not validated that. Eddie Torres started showing and promoting this timing start in the 1980's, from what I understand. He was mentored by the late June Laberta, a ballroom dancing teacher, that helped him create his strategy and timing.

The tale I'm regularly told here, that still requires more investigation, is that as salsa began getting to brand-new audiences beyond the Caribbean and New York City, it was much easier and much more intuitive to educate social outsiders to dance On1 rather than On2. This tale doesn't account for the fact that I've listened to Rueda de Gambling enterprise was originally danced a tiempo On3 in Cuba.

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Salsa On1 is simply one of various salsa timings you can dance to and it is the most typical timing you'll locate on the planet today. Salsa On1 timing meaning: "On1" indicates you start dancing on the first beat of the bar of music the 1. Your break actions (instructions changes) are on beats 1 and 5.

The exceptions I have actually discovered thus far, where On2 is most typical, would certainly be around New york city and in South Korea (Salsa San Francisco). I make certain there are other locations that dance mostly On2 yet I haven't danced in every country yet! If you're not exactly sure what timing is most usual where you live, ask your local dance studio

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When somebody states "I dance salsa On1" they most likely imply "I dance direct design salsa On1" (although you can dance any type of style of salsa On1, individuals typically mean straight style). Do not worry if you have actually stated these things previously, it's all excellent all of us have! The essential point is to keep in mind there's a distinction between design and timing and deepen your understanding so you can be extra precise when speaking about salsa with your good friends.

It connects perfectly with the phrasing in the music, especially the piano, and other percussion tools like the cow bell and giro. Timing and style are 2 different points, so different the ideas when you discuss salsa with your buddies. No matter of what timing is most typical in your area of the world, remember you can practically dance any kind of style of salsa to any type of timing explore and appreciate! Want a lot more? Take a look my blog at this deep dive on the difference between dance salsa On1 vs On2 when dancing a tiempo.

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Although there is an original mambo dance that came from Cuba and after that spread out to Mexico and New York City in the 40s and 50s, nowadays when someone says "I dance mambo" they imply salsa On2, which is different than the original mambo dance. The occasional free-from actions of the original mambo were danced solo.

And that's what we describe as mambo or salsa on2 today. As the dancing started to spread, On1 timing started to come to be preferred. Salsa On2 interpretation: "On2" indicates you begin dancing on the very first beat of the bar of music the 2. Your break actions (instructions modifications) are on beats 2 and 6.

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Historically those are the tools that a child cubano professional dancer connected with and that was handed down to mambo and salsa. A great deal of dancers appreciate dancing On2 for the diverse methods you can link to the songs. This is the original child cubano and mambo timing. Kid cubano is the songs and dancing that preceded mambo and salsa.

It attaches well to the clave, bass and conga - Salsa Dance San Francisco. Cha-cha is similar to dance On2 contratiempo but you include the three-way action on 4 and 8. Although danced to the very same beats as On1, your break actions are now on 2 and 6, which changes the feeling of the dance.

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This timing is nearly identical to contratiempo On2 however the steps that are typically on 4 and 8 are on 4. It's practically like a timing in between a tiempo and contratiempo.

5 as opposed to 5) you're dancing this syncopated timing. If you're dancing contratiempo and you step half a beat late in the home position (on 4. 5 rather than 4) you're dancing syncopated timing. In truth it seems it's commonly danced as type of a "error" for any person dancing the previous 2 timings.

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As stated previously, this was the first interpretation of dance on clave (boy clave), where the Puerto Ricans would certainly align their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. The idea is to straighten as lots of steps of your standard as feasible with the strikes of the son clave.

Naturally, individuals have located a method to dance on almost every timing feasible to child and salsa songs. People dance On3 for the exact same factor you dance On1 due to the fact that it highlights the solid beats of 1-3-5-7.

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Allow's check out the beats you dance On1 to: -2-, -6- (solid beats are in strong) Allow's look at the beats you dance On3 to: -4-, -8- (solid beats remain in strong) Notice exactly how the solid beats are spaced specifically the same for On1 and On3? All you do is start stepping On3 instead of On1.

That's why dance On3 is so usual in Latin America. Individuals either Attempt to dance On1 but start stepping On3 by mishap and it functions out simply penalty, or They do not recognize much about timing and are just translating what they hear in the songs, based upon their experience maturing in a society with salsa.

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